
Jean Rouch
Born: 1917-05-31
Place of birth: Paris, France
Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.
Filmography

Mad Mimes
2012

The Ordinary Madness of a Daughter of Ham
1986

Architects of Ayorou
1970

Ayorou Singing Stones
1968

Dogon Drums, Elements of a Study in Rhythm
1966

Initiation into the Dance of the Possessed
1948

Pierre Fatumbi Verger: Messenger Between Two Worlds
1998

Ciné-Portrait of Raymond Depardon
1983

Margaret Mead: A Portrait By a Friend
1978

Ispahan: A Persian Letter (The Chah Mosque at Ispahan)
1977

Pam Kuso Kar (Breaking Pam's Vases)
1974

Sigui 1969: The Cave of Bongo
1969

Sigui 1968: The Dancers of Tyogou
1968